Showing posts with label restitution. Show all posts
Showing posts with label restitution. Show all posts

Sunday, February 22, 2015

This Thursday! Looting and the Plunder of Cultural Heritage at the National Arts Club - NYC



Girl With Black Hair (Egon Schiele 1911) - Stolen From Fritz Grunbaum, Now at Oberlin College

Thanks to the Archaeology Committee of the National Arts Club, I will be speaking at this wonderful event on Thursday with two esteemed colleagues, I hope that you will brave the weather to attend!  Free and open to the public.

Archaeology

Looting and the Plunder of Cultural Heritage

Thursday, February 26
6:15 PM
       
Looting is one of the major problems encountered throughout the art world.   We present a panel composed of three eminent attorneys discussing this topic from a variety of perspectives. They include Professor Lucille A. Roussin of the Benjamin N. Cardozo School of Law, Colonel Matthew Bogdanos of the New York District Attorney’s Office, and National Arts Club Board member Raymond Dowd.   Treated will be the unique problems faced by source nations in reclaiming their glorious treasures, the United Nations 1970 Convention governing ownership of excavated finds, determination of provenance when required information remains lacking, Holocaust restitution in relationship to the international arena in which politics often intervene, continuing cultural catastrophe represented by the illegal trade in purloined artifacts which fund terrorism and support ISIS, and whether or not excessive tax breaks accorded to individuals donating stolen antiquities without any meaningful oversight be necessarily warranted.   
   The question of looting, its concomitant consequences, and oftentimes difficult resolution are complex.   Join us and become enlightened about these subjects with a better understanding of the diverse issues involved. 

A reception will follow at 7:30, at which “Thieves of Baghdad” by Colonel Bogdanos will be available for purchase.
For more information:

http://www.nationalartsclub.org
Looting and the Plunder of Cultural Heritage
Thursday, February 26, 2015 6:15 PM
Archaeology

www.dunnington.com
 Copyright law, fine art and navigating the courts. All practice, no theory.Copyright Litigation Handbook (Thomson Reuters Westlaw 2014-2015) by Raymond J. Dowd
 Copyright Litigation Handbook on Westlaw

Thursday, November 06, 2014

Brandeis Association Selects Dunnington Partner Raymond J. Dowd To Commemorate 76th Anniversary of Kristallnacht


Egon Schiele's Town on the Blue River - Krumau (1910)
 
            Dunnington partner Raymond J. Dowd has been selected to speak at “Murder, Mystery & Masterpieces: The Ethical Implications of World War II Stolen Art,” to be presented by the Brandeis Association and the Queens Women’s Bar Association. The event will take place the Queens County Bar Association (90-35 148th Street, Jamaica, NY) tonight at 6:00 p.m., the date being chosen to coincide with the 76th anniversary of Kristallnacht (November 9-10, 1938). A light kosher supper will precede the event, beginning at 5:30 p.m.
 
       The Nazis are infamous for their rampant theft of artworks belonging to Jewish people and others deemed undesirable. Public awareness of this pillaging has only grown in recent years with the release of films such as The Monuments Men (2014) and The Rape of Europa (2006). Additionally, newly opened archives in the United States and Europe have contributed to an ever-increasing number of claims brought by the Nazis’ victims and their descendants. As a result, the body of case law pertaining to such matters is constantly growing and evolving.
 
       Mr. Dowd recently represented the heirs of Holocaust victim Fritz Grunbaum, who was killed at Dachau in 1941, in coming to a restitution settlement agreement concerning the painting Town on the Blue River (Stadt am blauen Fluss – Krumau), painted by Egon Schiele in 1910. The watercolor landscape was among eighty-one works of art by Schiele seized from Mr. Grunbaum’s apartment in Vienna by the Gestapo in March 1938. In 1998, a spotlight was shone upon Mr. Grunbaum’s fate and that of his art when New York District Attorney Robert Morgenthau confiscated the painting Dead City III from New York City’s Museum of Modern Art, where it was on loan from Austria. Because the exhibition was immune from seizure as a result of an international treaty, the piece was ultimately returned; however, the incident was key in propelling the movement to restore Nazi-looted artworks to their rightful owners. Town on the Blue River was auctioned at Christie’s at their Impressionist and Modern Evening Sale on November 5, 2014, where it reached a record high of $2,965,000. The proceeds will be shared by Mr. Grunbaum’s heirs and those of Ilona Gerstel, in whose possession the piece spent nearly a half-century.

     Joining Mr. Dowd in this discussion of art stolen during World War II and the legal and ethical complications in which the restitution of such pieces is mired will be Professor John Q. Barrett of St. John’s University School of Law, who also serves on the Expert Advisory Committee of the International Nuremberg Principles Academy. Following presentation of recent happenings relating to Holocaust-era assets and discussion of their longer-term impact, Mr. Dowd and Professor Barrett will welcome questions from the audience.
The event is free. To register, please click here.

About the Brandeis Association The Brandeis Association was established in 1969 as a Not for Profit Corporation. The stated purpose of the Bar association, as set forth in both the Brandeis Constitution and Articles of Incorporation, is to encourage friendship and culture among our members, to foster respect for law and legal institutions and to vigorously assert its interest in justice and fair play in the County of Queens and in the City and State of New York. All members of the Judiciary, Lawyers, Court personnel and others who support the Jewish faith and the U.S. Constitution are eligible for membership.
About Dunnington partner Raymond J. Dowd Mr. Dowd’s practice focuses on litigation in federal and state trial and appellate courts, arbitration and mediation for cases involving art law, copyrights, trademarks, cybersquatting, privacy, trusts and decedents’ estates, licensing, corporate and real estate transactions. He lectures frequently on copyright and art-related topics and has presented in many venues, including at the 2009 Prague Conference on Holocaust-Era Assets, where he served on an expert panel, the Jewish Museum in Berlin, Yad Vashem in Jerusalem, the Pennsylvania Academy of the Fine Arts, the San Francisco War Memorial, and the U.S. District Court for the District of Columbia. In 2007, he co-founded the Art Litigation and Dispute Resolution Institute at New York County Lawyers’ Association. Mr. Dowd authors Copyright Litigation Handbook (West 7th Ed. 2013-2014)(updated annually). Currently Mr. Dowd serves on the Board of Directors of the Federal Bar Association, having earlier held the positions of President of the Southern District of New York Chapter (2006-2008) and general counsel of the national organization, and as President of the Network of Bar Leaders.
Dunnington, Bartholow & Miller LLP was selected as a 2014 Top Ranked Law Firm for Intellectual Property by Corporate Counsel/ALM/The American Lawyer. Dunnington is a full-service law firm providing corporate, litigation, intellectual property, real estate, taxation and estate planning services for an international clientele. Find out more at www.dunnington.com.
Attorney advertising. Past results do not guarantee future outcomes 

www.dunnington.com
 Copyright law, fine art and navigating the courts. All practice, no theory.
Copyright Litigation Handbook (Thomson Reuters Westlaw 2012-2013) by Raymond J. Dowd Copyright Litigation Handbook on Westlaw

Wednesday, October 22, 2014

76th Anniversary of Kristallnacht: Murder, Mystery and Masterpieces: Ethical Implications of WWII Stolen Art


The Brandeis Association and the Queens Women’s Bar Association 
Present: 
Murder, Mystery & Masterpieces:
The Ethical Implications of World War II Stolen Art

Guest Speakers:

Professor John Q. Barrett, St. John’s University School of Law

Raymond J. Dowd, Esq., Dunnington, Bartholow & Miller, LLP

NOVEMBER 6, 2014,  6:00 p.m. to 9:00 p.m.
Queens County Bar Association,
90-35 148th Street, Jamaica, NY 11435


Light Kosher Supper at 5:30

2.5 CLE Credits in Ethics and Professionalism. This event is free.  Registration is required for all participants before November 1, 2014.

 

This program commemorates the 76th Anniversary of Kristallnacht
 

Thank You To Our Co-Sponsors:

The Federal Bar Association: Eastern and Southern District of New York Chapters


 www.dunnington.com
 Copyright law, fine art and navigating the courts. All practice, no theory.
Copyright Litigation Handbook (Thomson Reuters Westlaw 2012-2013) by Raymond J. Dowd Copyright Litigation Handbook on Westlaw

Monday, July 07, 2014

May Germany Launder Nazi Looted Art In New York? Federal Judge Concludes "Yes"


Pablo Picasso's Madame Soler 1905 - Stolen From Paul Bartholdy-Mendelssohn

In Schoeps v. Free State of Bavaria, 13 Civ. 2048 (SDNY June 27, 2014)
http://law.justia.com/cases/federal/district-courts/new-york/nysdce/1:2013cv02048/409721/54
  the Hon. Jed S. Rakoff dismissed a case by Jewish heirs seeking to recover Nazi looted art that had been spirited to New York, and then repurchased by Bavaria, where the stolen artwork now proudly hangs in a Munich museum.   The SDNY threw the case out pursuant to a motion to dismiss, which means that the plaintiff was deprived of his day in court and no factual record was created from which an appellate court could determine whether or not the plaintiff had proven that the work was stolen.

To understand why this decision is so repugnant to U.S. and New York policy, a bit of history is in order.  Adolph Hitler and a band of criminals took control of Germany in the spring of 1933 through violence and intimidation.  They abolished democracy and the rule of law and immediately set up a kleptocracy that targeted Jews and Jewish property.    Following World War II (a war  won by the U.S. and its allies), the U.S. participated in legal proceedings at Nuremberg.  Hitler and the Nazi regime were deemed a band of criminals.  The US and its Allies vowed in the London Declaration of 1943 to undo the Nazis property crimes against Jews.

From the beginning of the Nazi regime, New York law refused to recognize Nazi forced transfers and opened its courts to Jewish refugees, epitomize in the famous case of Holzer v. Reichbahn (1936) where Marcel Holzer, who had been thrown into a concentration camp and deprived his pension by Germany, was allowed to seize the furniture of the Nazi regime located at the German Consulate. 

The Second Circuit and Southern District Court took a while to figure out that courts in New York are to be completely dedicated to reversing Nazi depredations.  I am copying the landmark case below that eliminated all jurisdictional restraints on the courts of the Southern District of New York from declaring and returning property stolen from Jews:

United States Court of Appeals, Second Circuit.

BERNSTEIN
v.
N. V. NEDERLANDSCHE- AMERIKAANSCHE STOOMVAART- MAATSCHAPPIJ (Chemical Bank& Trust Co., Third-Party Defendant).

No. 21193.
Submitted Jan. 11, 1954.
Decided Feb. 5, 1954.

Action by owner of all the stock in German liability company against Dutch corporation which had converted such stock in participation in plan with Nazi officials, seeking to follow proceeds of the property in the hands of the transferee. On petition to amend a prior mandate handed down in a prior appeal, 173 F.2d 71, the Court of Appeals, held that where subsequent to mandate ordering plaintiff to refrain from alleging matters which would cause court to pass on validity of acts of officials of German government, Executive Policy of relieving American courts from any restraint upon exercise of their jurisdiction to pass upon validity of acts of Nazi officials was declared, mandate would be amended by striking out all restraints based on inability of court to pass on such acts.

Mandate amended.
Where subsequent to order of court directing plaintiff who claimed to have been deprived of his stock in a German corporation, to refrain from alleging matters which would cause court to pass on validity of acts of officials of the German government, Executive Policy was declared in State Department release, stating that it was government's policy to relieve American courts from restraint upon exercise of their jurisdiction to pass upon validity of acts of Nazi officials, mandate previously issued would be amended by striking out all restraints based on inability of court to pass on acts of officials in Germany during period in question.

*375 Bennet, House & Couts, New York City, for plaintiff-petitioner; Victor House, Albert I. Edelman and Werner Ilsen, New York City, of counsel.

Burlingham, Hupper & Kennedy, New York City, for defendant Holland-America Line; Harold M. Kennedy, and Harvey C. Allen, Jr., New York City, of counsel.

Sherman & Sterling & Wright, New York City, for Third-Party Defendant, Chemical Bank & Trust Company; John A. Wilson, M. VanVoorhies and Edmond K. Leach, New York City, of counsel.


Petition to amend the mandate of this court handed down in a prior appeal in this case, 173 F.2d 71. Petition granted.

Before AUGUSTUS N. HAND, CLARK and FRANK, Circuit Judges.

Petition to amend the mandate of this court handed down in a prior appeal in this case, 173 F.2d 71. Petition granted.

PER CURIAM.

In the prior appeal in this case, 173 F.2d 71, 75-76, because of the lack of a definitive expression of Executive Policy, we felt constrained to follow the decision of this court in Bernstein v. Van Heyghen Freres Societe Anonyme, 2 Cir., 163 F.2d 246, certiorari denied 332 U.S. 772, 68 S.Ct. 88, 92 L.Ed. 357, by ordering the plaintiff to refrain from alleging matters which would cause the court to pass on the validity of acts of officials of the German government. Following our decision, however, the State Department issued Press Release No. 296 on April 27, 1949, entitled: ‘Jurisdiction of United States Courts Re *376 Suits for Identifiable Property Involved in Nazi Forced Transfers.’ The substance of this Release follows:

‘As a matter of general interest, the Department publishes herewith a copy of a letter of April 13, 1949 from Jack B. Tate, Acting Legal Advisor, Department of State, to the Attorneys for the plaintiff in Civil Action No. 31-555 in the United States District Court for the Southern District of New York.

‘The letter repeats this Government's opposition to forcible acts of dispossession of a discriminatory and confiscatory nature practiced by the Germans on the countries or peoples subject to their controls; states that it is this Government's policy to undo the forced transfers and restitute identifiable property to the victims of Nazi persecution wrongfully deprived of such property; and sets forth that the policy of the Executive, with respect to claims asserted in the United States for restitution of such property, is to relieve American courts from any restraint upon the exercise of their jurisdiction to pass upon the validity of the acts of Nazi officials.’


The letter from Mr. Tate is then quoted, pertinent parts of which follow:


‘1. This Government has consistently opposed the forcible acts of dispossession of a discriminatory and confiscatory nature practiced by the Germans on the countries or people subject to their controls. * * *


‘3. The policy of the Executive, with respect to claims asserted in the United States for the restitution of identifiable property (or compensation in lieu thereof) lost through force, coercion, or duress as a result of Nazi persecution in German, is to relieve American courts from any restraint upon the exercise of their jurisdiction to pass upon the validity of the acts of Nazi officials.’


In view of this supervening expression of Executive Policy, we amend our mandate in this case by striking out all restraints based on the inability of the court to pass on acts of officials in Germany during the period in question. See 173 F.2d at pages 75-76. This will permit the district court to accept the Release in evidence and conduct the trial of this case without regard to the restraint we previously placed upon it.

C.A.2 1954.
Bernstein v. N. V. Nederlandsche-Amerikaansche, Etc.,
210 F.2d 375, 1954 A.M.C. 569

So it is clear that New York State and the Second Circuit have committed - decades ago to providing remedies to Jews despoiled by the Nazi regime and their familes. 

On Junuary 16, 2013 Secretary of State Hillary Rodham Clinton stated as follows:

U.S. DEPARTMENT OF STATE
Office of the Spokesperson
January 16, 2013
STATEMENT BY SECRETARY CLINTON
Holocaust-Era Looted Art
This month we commemorate the seventieth anniversary of the Inter-Allied Declaration against Acts of Dispossession Committed in Territories under Enemy Occupation and Control, known as the London Declaration of January 5, 1943. Beginning with the London Declaration, the United States implemented a policy of returning Nazi-confiscated art, including art taken through forced and coerced transfers, to its countries of origin, with the expectation that the art would be returned to its lawful owners. Under U.S. leadership, the international community has endorsed these principles as well.
In the 1998 Washington Principles on Nazi-Confiscated Art and the Terezin Declaration of the 2009 Prague Conference on Holocaust Assets, more than forty countries joined the United States in agreeing that their respective legal systems or alternative dispute resolution processes should facilitate just and fair solutions for art that was taken by the Nazis and their collaborators.
In reaffirming these commitments, the Department of State expresses no view on any issue currently in litigation. U.S. policy will continue to support the fair and just resolution of claims involving Nazi-confiscated art, in light of the provenance and rightful ownership of each particular work, while also respecting the bona fide internal restitution proceedings of foreign governments.

Read more: http://iipdigital.usembassy.gov/st/english/texttrans/2013/01/20130116141107.html#ixzz36W8Byf6C

But our federal courts seem to have forgotten the lessons of history and appear to treat one of history's greatest property crimes - and the postwar laundering of Jewish property by German museum - as some kind of ordinary series of commercial transactions rather than the criminal conspiracy which they were.

 In Schoeps v. Free State of Bavaria, 13 Civ. 2048 (SDNY June 27, 2014), the Southern District of New York forgot this history, this law and this commitment.   Schoeps alleged a forced transfer of Picasso's Madame Soler from Nazi victim Paul Bartoldy-Mendelssohn in 1934.  Shady art dealer Justin Thanhausser took Madame Soler and brought it to NY.   A top Bavarian museum official came to New York and eventually arranged to have the Bavarian museum acquire it through a transaction involving a Leichtenstein trust in a transaction that the SNDNY concluded was structured to evade US taxes.

So where we have a transaction involving laundering stolen art that occurred in New York, involving a painting located in New York, structured as a criminal transaction to evade New York and federal taxes, and to repatriate the spoils of Adolph Hitler's thuggery, and where the courts of Germany provide absolutely no right to relief, the plaintiff correctly brought the case in New York, right?

Not according to the decision in Schoeps v. Free State of Bavaria where the court construes the facts against the plaintiff (while arguing that it is doing the contrary) and coming to the conclusion that Bavaria is shielded in sovereign immunity.

This decision runs counter to  Cassirer v. Kingdom of Spain, 580 F.3d 1048, 1064 (9th Cir. 2009); Cassirer v. Kingdom of Spain, 616 F.3d 1019, 1037 (9th Cir. 2010) (en banc) which found that the Kingdom of Spain is not entitled to sovereign immunity for acquiring Nazi looted art and permitting a Jewish victim's case to proceed.

California federal courts are getting it right.  Let's hope that the Second Circuit reverses this terrible decision and orders the SDNY to let the case proceed.  It is about time that the courts shouldered the responsibility of carrying out the task entrusted to them and taking the criminal profits away from the Nazi wrongdoers and their successors-in-interest.

 www.dunnington.com
 Copyright law, fine art and navigating the courts. All practice, no theory.
Copyright Litigation Handbook (Thomson Reuters Westlaw 2012-2013) by Raymond J. Dowd Copyright Litigation Handbook on Westlaw

Wednesday, October 16, 2013

Murder, Mystery & Masterpieces: The Fate of World War II Stolen Art at the Hunter Museum of Art, Chattanooga, TN


 Murder, Mystery & Masterpieces:


The Fate of World War II Stolen Art


 
The Chattanooga Chapter of the Federal Bar Association,
Grant, Konvalinka & Harrison, P.C.,
and
The Hunter Museum of American Art

present
Raymond J. Dowd, Attorney

 Dunnington,  Bartholow & Miller, LLP
New York

 Thursday, October 31, 2013
 

The Hunter Museum of Art
Chattanooga, Tennessee

  

Cash Bar – 5:30 p.m.                                                                                        Program – 6:15 p.m.

 

Cost of Admission:

 

Hunter Museum Members-- FREE

(Special Discount for Those Who Join the Museum at the Event)

 

Attorneys Who Wish to Receive 1 Hour of General CLE -- $20.

(Includes Cost of Admission)

 

All Others -- $9.95



 www.dunnington.com
 Copyright law, fine art and navigating the courts. All practice, no theory.Copyright Litigation Handbook (Thomson Reuters Westlaw 2012-2013) by Raymond J. Dowd
 Copyright Litigation Handbook on Westlaw

Tuesday, July 17, 2012

Battling Hitler's Ghost: Time for Legislation To Return Stolen Artworks in MoMA's Collection To Holocaust Victims?

Great new piece in the Clyde Fitch Report called Battling Hitler's Ghost on how U.S. museum have used statutes of limitations against heirs of Holocaust victims to hold onto artworks they know are stolen.

A lot is coming to light because of revelations in Germany regarding the art dealer Alfred Flechtheim.  MoMA claimed that Flechtheim's inventory had not been Aryanized when Hitler took power in 1933, but overwhelming evidence has emerged to give lie to the position that MoMA took to avoid returning artworks to the heirs of artist George Grosz.

Should Congress or state or city legislatures adopt legislation to force U.S. museums to return all of the stolen artworks to victims of Nazi persecution and their families?   According to the article, at least one scholar thinks so and has drafted a Nazi-Era Art Restitution Act ("NEAR Act").

Unfortunately, MoMA completely stonewalled the Grosz heirs and scholars seeking to determine how many works stolen from Alfred Flechtheim are in its collection.

More background on MoMA's Problematic Provenances here.

The New York Observer on MoMA's debt to Flechtheim here.

When can we expect MoMA's Trustees to issue an apology for MoMA's dark role in the Holocaust and in profiteering from the human misery in its wake?

When Congress enacted the Holocaust Victims Redress Act of 1998, U.S. museums lied to Congress by claiming that the state law remedies of replevin were sufficient to accomplish the return of stolen artworks to Holocaust victims and their heirs.   When will prosecutors start holding U.S. museum directors responsible for receiving and trafficking in stolen property and for deceiving the public?   Donations of stolen art to museums are currently subsidized by U.S. taxpayers and shielded from view by high-priced lawyers with no interest in doing the right thing.  It's time legislators got busy.

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