Copyright law, fine art and navigating the courts. Author Copyright Litigation Handbook (Thomson Reuters Westlaw 2019-2020)
Sunday, June 05, 2011
Art Litigation: Second Circuit Finds No "Innocent Owner" Defense To National Stolen Property Act Seizure
In U.S. v. Davis and The Painting Known as "Le Marche" by Camille Pissarro, 2011 WL 2162897 (June 3, 2011), the Second Circuit rejected the "innocent owner" defense to a civil forfeiture action brought by Customs to enforce the National Stolen Property Act. The monotype was stolen from the Musee Faure in Aix-Les-Bains in France on November 1981. Once the government established probable cause that the painting was stolen, the burden of proof shifted to the possessor of the artwork to show that it was not stolen. The work was consigned for sale to Sotheby's, where it was seen by the French police, who notified customs.
Decision below.
US v Davis, The Painting Known as Le March by Camille Pissarro
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Purchase Copyright Litigation Handbook 2010 by Raymond J. Dowd from West here
Sunday, September 20, 2009
Looted Art in Spain via Germany: Thyssen-Bornemisza Can Be Sued In Federal Court

The legal question presented was whether the expropriation exception to sovereign immunity in Section 1605(a)(3) of the FSIA applied to a sovereign entity that was not alleged to have taken property in violation of international law.
Spain bought a collection from a Swiss-based Baron Thyssen-Bornemisza and started a museum based on the collection.
This is similar to the arrangement Austria has with the Leopold Museum. The Leopold's collection is now being researched at the insistence of the Jewish Community of Vienna, which held protests and roped off the entire Leopold Museum in yellow "crime scene" tape.
When you buy from the Swiss the type of art that Nazis liked to loot, you really ought to check the provenance. Shame on Spain. Let's hope they set up a commission to publicly investigate the collection and give back the things that have been stolen from murdered Jews.
