Showing posts with label scotus. Show all posts
Showing posts with label scotus. Show all posts

Saturday, July 11, 2020

Listen Today: CLE - Lessons from John Steinbeck's The Grapes of Wrath: Copyright Terminations Under Sections 203 and 304 of the Copyright Act






On September 29, 2020, the Justices of the U.S. Supreme Court will decide whether or not to grant certiorari in Steinbeck v. Kaffaga, a case involving the rights of authors and their heirs to terminate copyright grants.  Copyright terminations have generated a tremendous amount of litigation and uncertainty, this is a case to watch!

To listen or download this one-hour CLE program featuring Copyright Litigation Handbook author Ray Dowd, visit CELESQ here.

 In 1976 and 1998 Congress extended the terms of copyright. Congress intended for authors to receive the full economic benefit of the extended copyright terms by granting authors and their heirs inalienable rights to recapture copyrights. These recaptured copyrights, vesting free of all prior grants, could then be re-licensed on economic terms favorable to authors. To protect authors’ families from disinheritances, late-life lovers or squabbles among over-reaching heirs, Congress preempted state inheritance law and created statutory heirs.

Congress’ statutory scheme benefiting authors and their families has been threatened by recent decisions of the Second and Ninth Circuits that have generated a recent cert petition to the Supreme Court in Steinbeck v. Kaffaga over film rights to The Grapes of Wrath. Many copyright termination disputes are now pending.

Ray Dowd in examines this fascinating case and discusses why understanding the issues at stake and the mechanics of copyright terminations is important for all attorneys dealing with copyrights. Whether you are negotiating a license agreement or advising copyright owners and their heirs on estate planning, copyright termination is a hot issue.

Raymond J. Dowd authored a brief in Steinbeck v. Kaffaga on behalf of amicus curiae the Authors Guild, the Dramatists Guild, the American Society of Journalists and Authors and former Register of Copyrights Ralph Oman.


 Copyright law, fine art and navigating the courts. Attorney and Author

Copyright Litigation Handbook (Thomson Reuters Westlaw 2018-2019) by Raymond J. Dowd

 Copyright Litigation Handbook on Westlaw

Saturday, February 06, 2016

Is A "Prevailing Party" Really Entitled To Attorneys Fees Under the Copyright Act? SCOTUS To Decide



$2 Million In Pro Bono Legal Fees At Issue In Copyright First Sale Doctrine Case




On January 15, 2016, the U.S. Supreme Court granted a petition for certiorari based on the following preamble and question presented:


Section 505 of the Copyright Act provides that a “court may … award a reasonable attorney’s fee to the prevailing party” in a copyright case. 17 U.S.C. § 505. The Ninth and Eleventh Circuits award attorneys’ fees when the prevailing party’s successful claim or defense advanced the purposes of the Copyright Act. The Fifth and Seventh Circuits employ a presumption in favor of attorneys’ fees for a prevailing party that the losing party must overcome. Other courts of appeals primarily employ the several “nonexclusive factors” this Court identified in dicta in Fogerty v. Fantasy, Inc., 510 U.S. 517, 534 n.19 (1994). And the Second Circuit, as it did in this case, places “substantial weight” on whether the losing party’s claim or defense was “objectively unreasonable.” Matthew Bender & Co. v. W. Publ’g Co., 240 F.3d 116, 122 (2d Cir. 2001).


The question presented is: What is the appropriate standard for awarding attorneys’ fees to a prevailing party under § 505 of the Copyright Act?


The case that gave rise to this question Kirtsaeng v. John Wiley & Sons, Inc.   The Kirtsaeng case is an extraordinarily important case involving the "first sale doctrine" under the Copyright Act.  The first sale doctrine is basically that once a copyright owner sells a work that contains the copyrighted material, the copyright owner cannot restrict further sales.  This is why you can freely buy and sell used books or DVDs without asking the copyright owner's permission.


Kirtsaeng lawfully purchased textbooks in his native Thailand that had been published in Thailand by a licensee of John Wiley & Sons.  He imported them into the United States.  John Wiley & Sons argued that the first sale doctrine did not apply to works manufactured abroad.  Kirtsaeng lost at the district court and in the Second Circuit.  The U.S. Supreme Court reversed, finding that the first sale doctrine applied to copyrighted works first sold outside the United States.


More Kirtsaeng detail on Wikipedia here.


Copyright Litigation Blog's April 17, 2011 post (supporting Judge Murtha's dissenting view) that the first sale doctrine applied to Kirtsaeng here.


Here is the case page at SCOTUS Blog for the March 19, 2013 SCOTUS Kirtsaeng decision.  SCOTUS Blog has links to the oral arguments, a great resource for advocates.


Here is the case page for the January 15, 2016 grant of certiorari.  This case is of tremendous import for anyone practicing in the field of copyright law and is likely to have an important and lasting impact on whether or not copyright owners and users, [whether plaintiffs or defendants] will obtain attorneys fees for advancing meritorious claims or defenses.


In this case, the Orrick law firm took on the case pro bono and later sought over $2 million for representing Kirtsaeng.   As the petition points out, due to Orrick's representation, Kirtsaeng was victorious against all odds (having lost at the district court and again at the Second Circuit).  The petition clearly shows how the circuit courts of appeals view awards of attorneys fees in a dramatically different light.  The petition argues that the Second Circuit's view of awards of attorneys fees, where the "objective unreasonableness" of the non-prevailing party's claims or defenses is considered the paramount factor, is markedly different and changes the result.  In the Ninth Circuit there is a presumption that the prevailing party should obtain fees and the other circuits are somewhere in between.  The petition further argues that forum shopping is encouraged.


As I recently discussed here, the U.S. Department of Commerce has advocated changes in the Copyright Act related to awards of statutory damages under the Copyright Act.   As I recently discussed here, cases involving copyright claims have dramatically increased in the last year, with very significant numbers of cases filed outside the Second Circuit.   The Second Circuit had 1,198 filings, the Ninth Circuit had 2,678, the Fifth Circuit 2,534 and the Third Circuit 2,107.


The Department of Commerce White Paper discussed important differences of opinions in how copyrights should be licensed, whether the fair use doctrine works or not, how to foster creativity in a world where digital appropriation is central to the creative process, and how to fairly punish infringers and reward copyright owners.  The issues roiling the copyright world will likely excite a great deal of passion around the Kirtsaeng case, even though it revolves around the usually unsexy topic of attorneys fees.  Starving artists can't afford attorneys and can rarely prove damages.  If the chance of recovering legal fees is low, these folks won't have representation.  On the other hand, assessing legal fees against non-prevailing parties seeking to assert speech-related rights may have an undue chilling effect and could effectively impose-criminal like penalties for forms of speech.  And copyright owners ought to have some degree of certainty that the reasonable exploitation of their works will be facilitated when they are in the right.   The current system does not seem to meet the needs of many important constituents.


My book Copyright Litigation Handbook (Thomson Reuters Westlaw 2015-2016) has separate chapters addressing damages and attorneys fees.   Copyright Litigation Handbook is designed to guide a legal practitioner from the client interview and investigation through to a final judgment.  Many practitioners underestimate the complexities and risks relating to attorneys fees. 


Orrick's petition for certiorari makes a pretty strong argument that John Wiley had been (incorrectly) shaking down grad students like Kirtsaeng for years and that Kirtsaeng's case has stopped that practice, furthering the purposes of the Copyright Act and clarifying important points of law.




www.dunnington.com
 Copyright law, fine art and navigating the courts. All practice, no theory.Copyright Litigation Handbook (Thomson Reuters Westlaw 2015-2016) by Raymond J. Dowd
 Copyright Litigation Handbook on Westlaw

Tuesday, January 19, 2016

Federal Court Statistics On Intellectual Property Litigations: Copyright Litigations Increase By 25% 2014-2015




    Statistics from http://www.uscourts.gov/


According to statistics from the Federal Judicial Center for the period ending June 30, 2015, copyright litigations filed in the 2014-2015 period were up 25% over the previous year.  The Federal Judicial Center reported Intellectual Property case filings as follows:


                                                                   2014                        2015
Intellectual Property                                13,195                      14,145
Copyright                                                  3,906                         4,895
Trademark                                                 3,242                         3,616
Patent                                                        6,047                         5,634


Despite a 7.2% increase in overall intellectual property case filings in the U.S. federal courts, we see that patent filings have decreased and trademark filings grew modestly.


It is interesting to see how these intellectual property case filings are distributed nationwide by circuit:


DC          74
1st          203
2nd      1,198
3rd       2,107
4th          889
5th        2,534
6th        1,051
7th          997
8th          817
9th       2,678
10th        383
11th     1,200
Fed Circuit (not available)


We can observe that the district courts located within the Ninth Circuit have over twice the number of IP case filings that we see in the district courts located in the Second Circuit.  We also note that IP filings in the Third, Fifth and Eleventh Circuits exceed those in the Second Circuit.


The Federal Judicial Center's statistics for the U.S. Courts of Appeals do not break out intellectual property cases, but report a number.  The reports also do not contain a year-to-year comparison, so you have to toggle to the 2014 report to make a caseload comparison.  Here are the statistics:


                                                                                   2014               2015
Copyright, Patent and Trademark Cases                   322                  363


These numbers show just over a twelve percent year-to-year increase in appeals from the decision of the U.S. District Courts.  A surprising number of these appeals are filed in the Ninth Circuit Court of Appeals.  In 2015 there were 117 IP appeals filed in the Ninth Circuit and 105 in 2014.  This means that roughly 32% of the nation's intellectual property appeals were filed in the Ninth Circuit (apart from those filed in the Federal Circuit for which numbers are not available).


In the Second Circuit, intellectual property case filings are broken down by district court:


Intellectual Property                     1,198
CT                                                     71
NDNY                                               22
WDNY                                              39
SDNY                                              796
EDNY                                              263


To explore the wonderful world of Statistical Tables for the Federal Judiciary for yourself, please visit   http://www.uscourts.gov/statistics-reports/statistical-tables-federal-judiciary-june-2015.


For more information about handling copyright litigation, you may consider my book Copyright Litigation Handbook (2014-2015 Thomson Reuters/West).  You can explore the table of contents here.   You can also find it on Westlaw by typing in COPYLITIG.   To use it on your tablet or laptop, consider the Proview ebook version.




www.dunnington.com
 Copyright law, fine art and navigating the courts. All practice, no theory.Copyright Litigation Handbook (Thomson Reuters Westlaw 2014-2015) by Raymond J. Dowd
 Copyright Litigation Handbook on Westlaw